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<i>Natasha, Pierre and the Great Comet of 1812</i> scene-stealers Brittain Ashford and Grace McLean discuss working with the Tony-nominated creative team and the escapist nature of the musical

Natasha, Pierre and the Great Comet of 1812 scene-stealers Brittain Ashford and Grace McLean discuss working with the Tony-nominated creative team and the escapist nature of the musical

Natasha, Pierre, and the Great Comet of 1812, Dave Malloy’s innovative chamber musical currently playing at Broadway’s recently renovated Imperial Theatre, has fused word-for-word Tolstoy with an eclectic score including… Read more »

Lulu Fall on the ground-breaking operas <i>Hadestown</i> and <i>The Great Comet of 1812</i> and the need for diversity in theatre

Lulu Fall on the ground-breaking operas Hadestown and The Great Comet of 1812 and the need for diversity in theatre

Hell is the coolest place off-Broadway. Hadestown, the new folk-opera created by singer-songwriter Anais Mitchell and directed by OBIE winner Rachel Chavkin, who is best known for her direction of Natasha,… Read more »

Josh Canfield discusses the visionary direction of Rachel Chavkin, why Broadway is ready for <i>The Great Comet of 1812</i>

Josh Canfield discusses the visionary direction of Rachel Chavkin, why Broadway is ready for The Great Comet of 1812

Before heading to a war-torn and frigid Moscow with Natasha, Pierre & The Great Comet of 1812, Josh Canfield spent a few weeks on the warm, sandy shores of Ogunquit,… Read more »